Tag: Language

The Language of Architecture: 26 Principles Every Architect Should Know

Foamboards

In order to master the foundation of architecture, you must first master the basic building blocks of its language; the definitions, function, and usage. The Language of Architecture provides students and professional architects with the basic elements of architectural design, divided into twenty-six easy-to-comprehend chapters. This visual reference includes an introduction to architecture design, historical view of the elements, as well as an overview of how these elements can and have been used across multiple design disciplines. Whether you’re new to the field or have been an architect for years, you’ll want to flip through the pages of this book and use it as your go-to reference for inspiration and ideas. This comprehensive learning tool is the one book you’ll want as a staple in your library.

Atelier Bow WowAtelier Bow Wow The Global Seed Vault designed by Peter W. SodermanThe Global Seed Vault designed by Peter W. Soderman Environmental Context

One of the most important and pressing aspects of the design of a structure is its environmental context, a context that can either affect the building positively (as provide warmth or shade) or extremely negatively (as in erosion or collapse). Most characteristic of this context is that it is continuously transforming, either in predictable or unanticipated ways. And the building in turn has a responsibility toward that context: perhaps at worst it will coexist, but at best it will enhance it.

Extreme Variability

Architecture has a responsibility to anticipate that the environment in which it is situated will change, and often in quite unpredictable ways. Extreme weather—floods, earthquakes, hurricanes, and avalanches—introduce design parameters that situate a work in a specific environmental context. A building erected in a flood plain might be raised on stilts while one in a frequent avalanche zone might be wedge shaped and embedded into the mountainside.

Weather

Rates of environmental change can be more predictable, from a twenty-four-hour cycle to seasonal variations. A building’s anticipation of the behaviors of basic yet constantly changing environmental elements of sun, rain, and wind cannot only be traced in the placement and dimension of apertures, the slopes of roofs, and the materials used, but in the more fundamental placement of a building within its actual physical site.

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A Pattern Language: Towns, Buildings, Construction (Center for Environmental Structure Series)

Foamboards

You can use this book to design a house for yourself with your family; you can use it to work with your neighbors to improve your town and neighborhood; you can use it to design an office, or a workshop, or a public building. And you can use it to guide you in the actual process of construction.

After a ten-year silence, Christopher Alexander and his colleagues at the Center for Environmental Structure are now publishing a major statement in the form of three books which will, in their words, “lay the basis for an entirely new approach to architecture, building and planning, which will we hope replace existing ideas and practices entirely.” The three books are The Timeless Way of Building, The Oregon Experiment, and this book, A Pattern Language.

At the core of these books is the idea that people should design for themselves their own houses, streets, and communities. This idea may be radical (it implies a radical transformation of the architectural profession) but it comes simply from the observation that most of the wonderful places of the world were not made by architects but by the people.

At the core of the books, too, is the point that in designing their environments people always rely on certain “languages,” which, like the languages we speak, allow them to articulate and communicate an infinite variety of designs within a forma system which gives them coherence. This book provides a language of this kind. It will enable a person to make a design for almost any kind of building, or any part of the built environment.

“Patterns,” the units of this language, are answers to design problems (How high should a window sill be? How many stories should a building have? How much space in a neighborhood should be devoted to grass and trees?). More than 250 of the patterns in this pattern language are given: each consists of a problem statement, a discussion of the problem with an illustration, and a solution. As the authors say in their introduction, many of the patterns are archetypal, so deeply rooted in the nature of things that it seemly likely that they will be a part of human nature, and human action, as much in five hundred years as they are today.The second of three books published by the Center for Environmental Structure to provide a “working alternative to our present ideas about architecture, building, and planning,” A Pattern Language offers a practical language for building and planning based on natural considerations. The reader is given an overview of some 250 patterns that are the units of this language, each consisting of a design problem, discussion, illustration, and solution. By understanding recurrent design problems in our environment, readers can identify extant patterns in their own design projects and use these patterns to create a language of their own. Extraordinarily thorough, coherent, and accessible, this book has become a bible for homebuilders, contractors, and developers who care about creating healthy, high-level design.

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