Architecture of the Cocktail: Constructing the Perfect Cocktail from the Bottom Up

Is it better for a martini to be shaken, not stirred? Does it matter which order you add the liquors to create a Long Island Iced Tea? How many ice cubes can you add to a margarita without compromising the flavor?The perfect home begins with a blueprint and a dream, and your perfect cocktail should start the same way! The Architecture of the Cocktail will reveal the answers to all your burning cocktail queries and more. Focusing on the precise measurements to help you craft the perfect cocktail as well as the recommended garnish and embellishments, you’ll no longer have to guess what the perfect cocktail should taste like.Laying out the exact measurements from the bottom of your glass to the top, you’ll discover the order which you should layer your liquors, the precise measurements needed, and even recommended brands. Not sure which stemware is appropriate? Consult the mini guide on identifying the correct stemware in the back of the book.          Featuring 75 different cocktails and recipes in a unique blueprint-inspired design (including specifications, notes, and embellishments), this is the perfect gift for the cocktail lover in your life. Don’t waste another minute on watered-down cocktails – become a cocktail master with this beautifully illustrated guide.Amy Zavatto writes about wine, spirits, and food for Imbibe, Foxnews.com, Details, Edible Manhattan, Wynn, and Every Day with Rachael Ray. She is the author of The Complete Idiot’s Guide to Bartending, The Hedonist Guide to Eat NY, and co-author of The Renaissance Guide to Wine & Food Pairing with Tony DiDio.

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The Art of Working in Pasteboard, Upon Scientific Principles; To Which Is Added, an Appendix, Containing Directions for Constructing Architectural … or the Art of Modelling in Paper

This historic book may have numerous typos and missing text. Purchasers can download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1827. Excerpt: … the work-box, except the groove for the lid consisting of four pieces, each of which is fixed separately to its side-piece, after a strip of sarsnet, that strengthens the hinge, has been glued in the inside.. ORNAMENTS. Objects made of pasteboard, when they are of a competent size, may be decorated in various ways, which the genius and fancy of the young artist will readily suggest. But such ornaments are generally made of fine coloured paper cut into narrow slips, or of the gold and silver or coloured embessed borders, described in page 38, the breadth of which is always proportionate to the magnitude of the article that is to be ornamented. One edge, and on occasions, both edges of such paper borders, are pinked, vandyked, or cut out in small concave bows of equal dimensions; or sometimes one edge, or even both edges of the strips form a zigzag line. In plate VI, fig. 3, the numhers 1, 2,3, 4, 5, are patterns of paper ornaments cut out with punches or pinking irons. On placing the instrument a second time close to the first line which has been pierced, and stamping or pinking in a line parallel with it, you obtain a zigzag line, which being applied in different ways, forms a very beautiful ornament. Numbers 4 and 5 are specimens of such lines cut out of paper. A particular skill in cutting ornaments with a pair of scissors, out of paper folded double, has the advantage of enabling the artist to contrive a far greater variety of ornaments than can be obtained with a punch, though perhaps not quite so regular and accurate-; and here it may be observed, that if a variety of accurate paper patterns be cut, they will serve as guides for cutting others out of plain or coloured pasteboard, which will be found useful for many purposes. This cutting out of ‘hand…

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The Art Of Working In Pasteboard: Upon Scientific Principles: To Which Is Added, An Appendix, Containing Directions For Constructing Architectural … Or The Art Of Modelling In Paper…

This is a reproduction of a book published before 1923. This book may have occasional imperfections
such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact,
or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections,
have elected to bring it back into print as part of our continuing commitment to the preservation of printed works
worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

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The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification:

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The Art Of Working In Pasteboard: Upon Scientific Principles: To Which Is Added, An Appendix, Containing Directions For Constructing Architectural Models: Intended As A Sequel To Papyro-plastics, Or The Art Of Modelling In Paper

2

Bernhard Heinrich Blasche

Daniel Boileau

Daniel Boileau

Boosey and Sons, 1827

Crafts & Hobbies; General; Architectural models; Crafts & Hobbies / General; Crafts & Hobbies / Papercrafts; Geometrical drawing; Handicraft; Models and modelmaking; Paper work; Paperboard

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