The Denver Botanic Garden’s New Research Center Rises Like a Modern Pyramid in Colorado

The Denver Botanic Garden’s new Science Pyramid is an iconic new symbol for the park that also fosters conservation and research. The sustainable pyramid structure was created by Burkett Design and fuses architecture with the surrounding nature landscape. The beautiful peaked building emulates the mountains of the region, while providing a sprawling new center for visitors and researchers to enjoy.

Burkett-Studio-Pyramid-Denver1
green design, eco design, sustainable design , Denver Botanic Garden, Science Pyramid, Colorado Rockies, pyramid architecture
green design, eco design, sustainable design , Denver Botanic Garden, Science Pyramid, Colorado Rockies, pyramid architecture

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Vanke Sales Center Façade Renovation / Shenzhen Upright &Pure Architectural Design

Architects: , Pure Architectural Design
Location: Zhengzhou, Henan,
Area: 4600.0 sqm
Year: 2013
Photographs: Courtesy of Shenzhen Upright & Pure Architectural Design

Contractor Of The Building Construction: Meijing zhizhou Development Ltd
Structure: Concrete Frame & Steel Structure
Interior Design Firm: Matrix Design
Landscape Architects: Locus Associates

From the architect. As the function of the building is a sales center, the designís philosophy is focusing on conveying the spirit of enterprise of Vanke Co.,Ltd.  Vanke has been a pilot of the building industry in China by dedicating leading in energy conservation, emission reduction, promoting green buildings and housing industrialization, so the design efforts is to symbolize Vankeís Hi-Tech development philosophy and their approaches.

We created an integrated geometry configuration by using some architectural strategies, such as separating the surface into multiple triangular surfaces with different spatial relationships, emphasizing the sharpness feeling at building corner, using the metal and glass building surface materials to enrich the Hi-tech effect etc. All these efforts are to convey the spirit of Vanke, which are committing to ethical business, obtaining fair returns with professional competence, featuring standardization and transparency, as well as steadiness and focus.

To creating “mutation” effect, we also employed aluminum panels as main material of building epidermis and used three kinds of colors combinations to enhance the feeling of “mutation” in one triangle surface. The arrangements of the aluminum panels in each face are interrelated and mutually varied. Each elevation has its specialized color gradient. They vary from cold to warm color in gradient, creating a “bloom” effect.

All the design effort is to extend the exhibition area of Sales Center outward to the outdoor space by its attractive facade.

The geometry of the building is highly harmonized with its surroundings, which also reflect Vankeís spirit of respecting social and environment, as well as the local culture. Moreover, being a target of architects and designers, we make efforts on establishing environment friendly spaces by detail-designed landscaping and outdoor furniture. Photo of building and Outdoor Spaces

Vanke Sales Center Façade Renovation / Shenzhen Upright &Pure Architectural Design Courtesy of Shenzhen Upright & Pure Architectural Design
Vanke Sales Center Façade Renovation / Shenzhen Upright &Pure Architectural Design Courtesy of Shenzhen Upright & Pure Architectural Design
Vanke Sales Center Façade Renovation / Shenzhen Upright &Pure Architectural Design Courtesy of Shenzhen Upright & Pure Architectural Design
Vanke Sales Center Façade Renovation / Shenzhen Upright &Pure Architectural Design Courtesy of Shenzhen Upright & Pure Architectural Design
Vanke Sales Center Façade Renovation / Shenzhen Upright &Pure Architectural Design Courtesy of Shenzhen Upright & Pure Architectural Design
Vanke Sales Center Façade Renovation / Shenzhen Upright &Pure Architectural Design Courtesy of Shenzhen Upright & Pure Architectural Design
Vanke Sales Center Façade Renovation / Shenzhen Upright &Pure Architectural Design Courtesy of Shenzhen Upright & Pure Architectural Design
Vanke Sales Center Façade Renovation / Shenzhen Upright &Pure Architectural Design First Floor Plan
Vanke Sales Center Façade Renovation / Shenzhen Upright &Pure Architectural Design Second Floor Plan
Vanke Sales Center Façade Renovation / Shenzhen Upright &Pure Architectural Design Third Floor Plan
Vanke Sales Center Façade Renovation / Shenzhen Upright &Pure Architectural Design Site Plan
Vanke Sales Center Façade Renovation / Shenzhen Upright &Pure Architectural Design Elevation
Vanke Sales Center Façade Renovation / Shenzhen Upright &Pure Architectural Design Elevation
Vanke Sales Center Façade Renovation / Shenzhen Upright &Pure Architectural Design Section
Vanke Sales Center Façade Renovation / Shenzhen Upright &Pure Architectural Design Section
Vanke Sales Center Façade Renovation / Shenzhen Upright &Pure Architectural Design Detail
Vanke Sales Center Façade Renovation / Shenzhen Upright &Pure Architectural Design Detail

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A Pattern Language: Towns, Buildings, Construction (Center for Environmental Structure Series)

You can use this book to design a house for yourself with your family; you can use it to work with your neighbors to improve your town and neighborhood; you can use it to design an office, or a workshop, or a public building. And you can use it to guide you in the actual process of construction.

After a ten-year silence, Christopher Alexander and his colleagues at the Center for Environmental Structure are now publishing a major statement in the form of three books which will, in their words, “lay the basis for an entirely new approach to architecture, building and planning, which will we hope replace existing ideas and practices entirely.” The three books are The Timeless Way of Building, The Oregon Experiment, and this book, A Pattern Language.

At the core of these books is the idea that people should design for themselves their own houses, streets, and communities. This idea may be radical (it implies a radical transformation of the architectural profession) but it comes simply from the observation that most of the wonderful places of the world were not made by architects but by the people.

At the core of the books, too, is the point that in designing their environments people always rely on certain “languages,” which, like the languages we speak, allow them to articulate and communicate an infinite variety of designs within a forma system which gives them coherence. This book provides a language of this kind. It will enable a person to make a design for almost any kind of building, or any part of the built environment.

“Patterns,” the units of this language, are answers to design problems (How high should a window sill be? How many stories should a building have? How much space in a neighborhood should be devoted to grass and trees?). More than 250 of the patterns in this pattern language are given: each consists of a problem statement, a discussion of the problem with an illustration, and a solution. As the authors say in their introduction, many of the patterns are archetypal, so deeply rooted in the nature of things that it seemly likely that they will be a part of human nature, and human action, as much in five hundred years as they are today.The second of three books published by the Center for Environmental Structure to provide a “working alternative to our present ideas about architecture, building, and planning,” A Pattern Language offers a practical language for building and planning based on natural considerations. The reader is given an overview of some 250 patterns that are the units of this language, each consisting of a design problem, discussion, illustration, and solution. By understanding recurrent design problems in our environment, readers can identify extant patterns in their own design projects and use these patterns to create a language of their own. Extraordinarily thorough, coherent, and accessible, this book has become a bible for homebuilders, contractors, and developers who care about creating healthy, high-level design.

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Hopkins Architects to Transform Harvard’s Holyoke Center into New Campus Hub

Harvard’s Holyoke Center, designed by renowned Catalan architect and former Dean on the Harvard Graduate School of Design, Josep Lluís Sert, will soon be undergoing major renovations, university President Drew Faust announced last Thursday. London-based Hopkins Architects, the designers of Princeton’s Frick Chemistry Laboratory and Yale’s Kroon Hall, have signed on to transform the 50-year-old, […]

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Heydar Aliyev Center by Zaha Hadid Architects

Zaha Hadid Architects have designed the Heydar Aliyev Center in Baku, Azerbaijan.

Description

The Heydar Aliyev Center hosts a variety of cultural programs, its design is a departure from the rigid and often monumental architecture of the former Soviet Union that is so prevalent in Baku, aspiring instead to express the sensibilities and diversity of Azeri culture.

The Center’s design establishes a continuous, fluid relationship between its surrounding plaza and the building’s interior. The plaza, as the ground surface, accessible to all, rises to envelop an equally public interior and define a sequence of event spaces within. Undulations, folds, and inflections modify this surface to create an architectural landscape that performs a multitude of functions: welcoming, embracing, and directing visitors throughout the center; blurring the conventional differentiation between architecture and landscape, interior and exterior.

Fluidity in architecture is not new to the region. The continuous calligraphic scripts and patterning of historical Islamic architecture flow from carpets to walls, walls to ceilings, ceilings to domes; establishing seamless relationships and blurring distinctions between architectural elements and the ground they inhabit. The Center’s design relates to this historical understanding of architecture, not through the use of mimicry or a limiting adherence to the iconography of the past, but with a firmly contemporary interpretation.

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Architect: Zaha Hadid Architects
Photography: Helene Binet, Luke Hayes, Iwan Baan, Hufton and Crow

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Primary Care Center / 05 AM Arquitectura

Architects: 05 AM Arquitectura
Location: Carrer Manresa, , Barcelona, Spain
Project Team: Joan Arnau Farràs, Carmen Muñoz Ramírez
Project Area: 1,335 sqm
Project Year: 2010
Photographs: José Hevia

Collaborators: Jordi Sánchez
Structures: Genescà Molist S.L.
Facilities: GEPRO engineering
Technical Architect: Antoni Ventura i Carles Valldeperas, AVIASAT. Dirección de Ejecución
Budget: Sergi Pérez y Anna Badias
Client: GISA
Owner: CATSALUT
Construction: Construcciones Cots i Claret S.L.
Project: September 2006 – February 2007

From the architect. The building fits into its immediate urban context, as it identifies the specificity of the pre-existing buildings on the site. It is adjusted around them with the goal of giving them new value.

The volume in relation to the street has two floors, a direct encounter with the sidewalk and vertical openings. Instead, the volumes facing the railway have a single story, are high on the ground and the openings are unified in a single horizontal strip.

The row of poplars and the old railway facilities warehouse define the exterior limits of the access.

The lobby is strategically positioned in the center of the building, acting as a panoptic space that articulates and relates the different functional areas, as well as the views of the pre-existing exteriors.

At one end of the lobby, a courtyard surrounds the large poplar and allows us to separate, on its two other sides, the health education classroom and consultation area.

Consultation rooms are located on both sides of a waiting area lit naturally through two skylights oriented intentionally to frame the foliage of the poplars.

In the continuing care area, the waiting room has a double height and a window at the end that frames the old warehouse and the row of poplars at the access.

The answer to the site becomes a resource, an opportunity to add value to the correct functional design, characteristic of a primary care center.

Centro de Atención Primaria / 05 AM Arquitectura © José Hevia
Centro de Atención Primaria / 05 AM Arquitectura © José Hevia
Centro de Atención Primaria / 05 AM Arquitectura © José Hevia
Centro de Atención Primaria / 05 AM Arquitectura © José Hevia
Centro de Atención Primaria / 05 AM Arquitectura © José Hevia
Centro de Atención Primaria / 05 AM Arquitectura © José Hevia
Centro de Atención Primaria / 05 AM Arquitectura © José Hevia
Centro de Atención Primaria / 05 AM Arquitectura © José Hevia
Centro de Atención Primaria / 05 AM Arquitectura © José Hevia
Centro de Atención Primaria / 05 AM Arquitectura © José Hevia
Centro de Atención Primaria / 05 AM Arquitectura © José Hevia
Centro de Atención Primaria / 05 AM Arquitectura © José Hevia
Centro de Atención Primaria / 05 AM Arquitectura © José Hevia
Centro de Atención Primaria / 05 AM Arquitectura © José Hevia
Centro de Atención Primaria / 05 AM Arquitectura © José Hevia
Centro de Atención Primaria / 05 AM Arquitectura © José Hevia
Centro de Atención Primaria / 05 AM Arquitectura © José Hevia
Centro de Atención Primaria / 05 AM Arquitectura © José Hevia
Centro de Atención Primaria / 05 AM Arquitectura © José Hevia
Centro de Atención Primaria / 05 AM Arquitectura © José Hevia
Centro de Atención Primaria / 05 AM Arquitectura © José Hevia
Centro de Atención Primaria / 05 AM Arquitectura Site Plan
Centro de Atención Primaria / 05 AM Arquitectura Ground Floor Plan
Centro de Atención Primaria / 05 AM Arquitectura Technical Plan
Centro de Atención Primaria / 05 AM Arquitectura Section

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