Von Neumann Architecture explained. Few errors in video: 1) Newmann is supposed to be Neumann 2) Trasfer is supposed to be Transfer Subscribe for more videos…
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Category: architecture
A Pattern Language: Towns, Buildings, Construction (Center for Environmental Structure Series)
You can use this book to design a house for yourself with your family; you can use it to work with your neighbors to improve your town and neighborhood; you can use it to design an office, or a workshop, or a public building. And you can use it to guide you in the actual process of construction.
After a ten-year silence, Christopher Alexander and his colleagues at the Center for Environmental Structure are now publishing a major statement in the form of three books which will, in their words, “lay the basis for an entirely new approach to architecture, building and planning, which will we hope replace existing ideas and practices entirely.” The three books are The Timeless Way of Building, The Oregon Experiment, and this book, A Pattern Language.
At the core of these books is the idea that people should design for themselves their own houses, streets, and communities. This idea may be radical (it implies a radical transformation of the architectural profession) but it comes simply from the observation that most of the wonderful places of the world were not made by architects but by the people.
At the core of the books, too, is the point that in designing their environments people always rely on certain “languages,” which, like the languages we speak, allow them to articulate and communicate an infinite variety of designs within a forma system which gives them coherence. This book provides a language of this kind. It will enable a person to make a design for almost any kind of building, or any part of the built environment.
“Patterns,” the units of this language, are answers to design problems (How high should a window sill be? How many stories should a building have? How much space in a neighborhood should be devoted to grass and trees?). More than 250 of the patterns in this pattern language are given: each consists of a problem statement, a discussion of the problem with an illustration, and a solution. As the authors say in their introduction, many of the patterns are archetypal, so deeply rooted in the nature of things that it seemly likely that they will be a part of human nature, and human action, as much in five hundred years as they are today.The second of three books published by the Center for Environmental Structure to provide a “working alternative to our present ideas about architecture, building, and planning,” A Pattern Language offers a practical language for building and planning based on natural considerations. The reader is given an overview of some 250 patterns that are the units of this language, each consisting of a design problem, discussion, illustration, and solution. By understanding recurrent design problems in our environment, readers can identify extant patterns in their own design projects and use these patterns to create a language of their own. Extraordinarily thorough, coherent, and accessible, this book has become a bible for homebuilders, contractors, and developers who care about creating healthy, high-level design.
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Architecture: From Prehistory to Postmodernity, Reprint (2nd Edition)
For History of Architecture courses in departments of Art, Design, Art History and Architecture. Moving back and forth between the long view of historical trends and close-ups on major works and crucial architectural themes, this insightful, lively and original modern survey reinvigorates conventional period and thematic structures of architectural history and revitalizes the canon of great buildings. Designed to help students understand and appreciate great architecture and its history, the lavishly illustrated text explains specific qualities of periods in depth and the complex illuminating differences between them in social, intellectual, and aesthetic terms. Exceptionally detailed coverage of the modern age (18th century to the present).
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Architecture Now! 8
Currents in architecture around the world
Architecture Now! 8 reviews new and exciting projects completed and under construction in the whole world. No style, no building type is ignored, making this volume a true compendium of what anybody interested in buildings today needs to know. From well-known figures such as Zaha Hadid, Ryue Nishizawa of SANAA fame and Thom Mayne of Morphosis, to rising stars like Joshua Prince-Ramus (REX) and Sou Fujimoto and on to less-known architects who are the “stars” of tomorrow, like the Indians of Studio Mumbai, the Norwegian Todd Saunders, the Burkinabe Diébédo Francis Kéré, and the Colombian Giancarlo Mazzanti, or the Chinese architect Li Xiaodong, they are all here and many more as well. Don’t miss this opportunity to see the best of what architecture has to offer… Now!
For anyone interested in the zeitgeist and building design in the 21st century, the Architecture Now! series is an essential work of reference. Easy-to-navigate illustrated A–Z entries include current and recent projects, biographies, contact information, and websites.
Featured architects and practices include:
2012Architecten, 24H Architecture, Effan Adhiwira, AFF Architekten, al bordE, Aparicio + Donaire, Ron Arad, Birk & Heilmeyer, Odile Decq Benoît Cornette, FELIX-DELUBAC, Foster + Partners, Sou Fujimoto, Massimiliano and Doriana Fuksas, Manuelle Gautrand, Frank O. Gehry, Zaha Hadid, Hapsitus, HplusF Architects, IA+B, Arata Isozaki, Jakob + MacFarlane, Diébédo Francis Kéré, Kengo Kuma, Li Xiaodong, LIN Finn Geipel Giulia Andi, Luis Longhi, LOT-EK, Gurjit Singh Matharoo, Maurer United, Giancarlo Mazzanti, Morphosis, Neri & Hu, Neutelings Riedijk Architects, Ryue Nishizawa, Jean Nouvel, Bassam El Okeily, Olson Kundig Architects, Carlos Ott, Muti Randolph, rare architecture, REX, Fernando Romero, Todd Saunders, Savioz Fabrizzi, Kazuyo Sejima & Associates, Studio Mumbai, Terrain, Undurraga Deves, UNStudio, Urbana, Various Architects, Vo Trong Nghia, Isay Weinfeld, Changki Yun, Peter Zumthor
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Architecture: Form, Space, and Order
The Second Edition of this classic introduction to the principles of architecture is everything you would expect from the celebrated architect, author, and illustrator, Francis D. K. Ching. Each page has been meticulously revised to incorporate contemporary examples of the principles of form, space, and order-the fundamental vocabulary of every designer. The result is a beautifully illustrated volume that embraces today’s forms and looks at conventional models with a fresh perspective. Here, Ching examines every principal of architecture, juxtaposing images that span centuries and cross cultural boundaries to create a design vocabulary that is both elemental and timeless. Among the topics covered are point, line, plane, volume, proportion, scale, circulation, and the interdependence of form and space. While this revision continues to be a comprehensive primer on the ways form and space are interrelated and organized in the shaping of our environment, it has been refined to amplify and clarify concepts. In addition, the Second Edition contains:
* Numerous new hand-rendered drawings
* Expanded sections on openings and scale
* Expanded chapter on design principles
* New glossary and index categorized by the author
* New 8 1/2 ? 11 upright trim
In the Second Edition of Architecture: Form, Space, and Order, the author has opted for a larger format and crisper images. Mr. Ching has retained the style of his hand-lettered text, a hallmark of each of his books. This rich source of architectural prototypes, each rendered in Mr. Ching’s signature style, also serves as a guide to architectural drawing. Doubtless, many will want this handsome volume for the sheer beauty of it. Architects and students alike will treasure this book for its wealth of practical information and its precise illustrations. Mr. Ching has once again created a visual reference that illuminates the world of architectural form.
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Modern Architecture (Oxford History of Art)
Colquhoun, an eminent scholar in the field of architecture, offers here a new account of international modernism that explores the complex motivations behind this revolutionary movement and assesses its triumphs and failures. The book focuses on the work of the main architects of the movement such as Frank Lloyd Wright, Adolf Loos, Le Corbusier, and Mies van der Rohe, re-examining their work and shedding new light on their roles as acknowledged masters. The author presents a fascinating analysis of architecture with regard to politics, technology, and ideology, all while offering clear descriptions of the key elements of the Modern movement.
Colquhoun shows clearly the evolution of the movement from Art Nouveau in the 1890s to the mega-structures of the 1960s, revealing the often-contradictory demands of form, function, social engagement, modernity and tradition.
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5 Tips for a Green Home Remodel from Eco Architect Sarah Susanka
While conjuring up comfort in the home seems like a basic principle, it’s a far more complex process for architect & remodeling guru Sarah Susanka, who believes that comfort can significantly influence the sustainability of your personal abode. With her mantra of “build better, not bigger,” Susanka promotes quality over quantity when remodeling a home. Through transforming your living space into a more beautiful and comfortable environment, Susanka says that any home’s occupants will automatically take better care of their space in a more sustainable way. We sat down with Susanka to get the low-down on how to do more with less when revamping your space.
Read the rest of 5 Tips for a Green Home Remodel from Eco Architect Sarah Susanka
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Architecture & Design, pt. 12 | Zaha Hadid
Learn design with Doug Patt at his live virtual webcam studio. http://howtoarchitect.com/designstudio.
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Illuminati Architecture & Monuments 15/20
Part 15/20 Take a revealing look at the various sites around the world that have Illuminati/Masonic symbols, monuments, buildings/architecture – most of whic…
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A Visual Dictionary of Architecture
The classic, bestselling reference on architecture now revised and expanded!
An essential one-volume reference of architectural topics using Francis D.K. Ching’s signature presentation. It is the only dictionary that provides concise, accurate definitions illustrated with finely detailed, hand-rendered drawings. From Arch to Wood, every concept, technology, material and detail important to architects and designers are presented in Ching’s unique style.
Combining text and drawing, each term is given a minimum double-page spread on large format trim size, so that the term can be comprehensively explored, graphically showing relations between concepts and sub-terms A comprehensive index permits the reader to locate any important word in the text. This long-awaited revision brings the latest concepts and technology of 21st century architecture, design and construction to this classic reference work
It is sure to be by the side of and used by any serious architect or designer, students of architecture, interior designers, and those in construction.
A Letter from Author Francis D.K. Ching
Author Francis D.K. Ching
The idea for a visual dictionary of architecture evolved slowly over a number of years as I taught in the design studio, read books and articles, and confronted terms that were either new to me, were being used in sometimes contradictory ways, or simply tossed out with the assumption that everyone knew what they meant. And so I often asked myself what did these terms really mean?
Of course, there were already general dictionaries that supplied these meanings if one bothered to look them up, and for more discipline-specific terms, there were architectural, historical, and construction dictionaries available. But few had more than a smattering of illustrations. And since architecture is such a visual art, I believed there was a need for a truly visual dictionary. The few visual dictionaries that were available simply named various things and their constituent parts but neglected to supply definitions and meanings. So there was this void to be filled.
The initial phase of the project, of course, consisted of gathering essential architectural terms and their definitions from various sources. For many, I had to reference textbooks to more fully understand the meaning of a term and then to compose a concise yet accurate definition. At times, defining one term required including other terms embedded in the definition. This led to a natural nesting of terms into sets.
As I continued to compile terms and thought about the project, it became clear that I wanted to not only properly define architectural terms but also gather them in a way that related the terms to each other in a logical and hierarchical way, using both illustrations as well as relative positioning on a page to convey these relationships. So then the truly challenging and fun part of the project was to see how I could organize the terms in such a way that their groupings into sections and subsections made sense.
To do this, I started with fairly obvious divisions, such as design and structures. Once the fundamental term was defined, I then arranged related terms in a hierarchical fashion. For example, design can be defined both as a process and a product, which led to two different sections. In the case of structures, I began with the basic idea of a structure and related concepts that applied to all structures, regardless of material or scale. The second level of terms began with basic types of structural elements, such as arches and beams, and structural systems, such as frames and plate structures, each of which deserved its own section.
Historical terms created its own set of problems regarding inclusion and proper placement. While some terms may be considered obsolete, they remained, in my view, useful as points of reference or retained a certain charm.
Once I had identified the major sections of the dictionary and assigned each term to one of the sections, I imported them into Pagemaker and began laying out the terms and definitions on each page according to their relationships to each other.
I then printed the page out and laid tracing paper over the page and roughed out ideas for illustrations. In many cases, this necessitated moving some of the terms and their definitions around. I then did the final drawings for each page on a single sheet with leader lines and arrows. After these sheets of drawings were scanned, I placed the scans in Pagemaker and adjusted the terms and definitions further to fit. In this second edition, I used Photoshop to eliminate the leader lines and arrows and used the lines and arrows within InDesign. This gave me some leeway in the placement of the images.
It has been a pleasure to develop this second edition and I hope the spirit and flavor of the first edition endures the inclusion of current technology.
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