The Language of Architecture: 26 Principles Every Architect Should Know

In order to master the foundation of architecture, you must first master the basic building blocks of its language; the definitions, function, and usage. The Language of Architecture provides students and professional architects with the basic elements of architectural design, divided into twenty-six easy-to-comprehend chapters. This visual reference includes an introduction to architecture design, historical view of the elements, as well as an overview of how these elements can and have been used across multiple design disciplines. Whether you’re new to the field or have been an architect for years, you’ll want to flip through the pages of this book and use it as your go-to reference for inspiration and ideas. This comprehensive learning tool is the one book you’ll want as a staple in your library.

Atelier Bow WowAtelier Bow Wow The Global Seed Vault designed by Peter W. SodermanThe Global Seed Vault designed by Peter W. Soderman Environmental Context

One of the most important and pressing aspects of the design of a structure is its environmental context, a context that can either affect the building positively (as provide warmth or shade) or extremely negatively (as in erosion or collapse). Most characteristic of this context is that it is continuously transforming, either in predictable or unanticipated ways. And the building in turn has a responsibility toward that context: perhaps at worst it will coexist, but at best it will enhance it.

Extreme Variability

Architecture has a responsibility to anticipate that the environment in which it is situated will change, and often in quite unpredictable ways. Extreme weather—floods, earthquakes, hurricanes, and avalanches—introduce design parameters that situate a work in a specific environmental context. A building erected in a flood plain might be raised on stilts while one in a frequent avalanche zone might be wedge shaped and embedded into the mountainside.

Weather

Rates of environmental change can be more predictable, from a twenty-four-hour cycle to seasonal variations. A building’s anticipation of the behaviors of basic yet constantly changing environmental elements of sun, rain, and wind cannot only be traced in the placement and dimension of apertures, the slopes of roofs, and the materials used, but in the more fundamental placement of a building within its actual physical site.

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The Art of Working in Pasteboard, Upon Scientific Principles; To Which Is Added, an Appendix, Containing Directions for Constructing Architectural … or the Art of Modelling in Paper

This historic book may have numerous typos and missing text. Purchasers can download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1827. Excerpt: … the work-box, except the groove for the lid consisting of four pieces, each of which is fixed separately to its side-piece, after a strip of sarsnet, that strengthens the hinge, has been glued in the inside.. ORNAMENTS. Objects made of pasteboard, when they are of a competent size, may be decorated in various ways, which the genius and fancy of the young artist will readily suggest. But such ornaments are generally made of fine coloured paper cut into narrow slips, or of the gold and silver or coloured embessed borders, described in page 38, the breadth of which is always proportionate to the magnitude of the article that is to be ornamented. One edge, and on occasions, both edges of such paper borders, are pinked, vandyked, or cut out in small concave bows of equal dimensions; or sometimes one edge, or even both edges of the strips form a zigzag line. In plate VI, fig. 3, the numhers 1, 2,3, 4, 5, are patterns of paper ornaments cut out with punches or pinking irons. On placing the instrument a second time close to the first line which has been pierced, and stamping or pinking in a line parallel with it, you obtain a zigzag line, which being applied in different ways, forms a very beautiful ornament. Numbers 4 and 5 are specimens of such lines cut out of paper. A particular skill in cutting ornaments with a pair of scissors, out of paper folded double, has the advantage of enabling the artist to contrive a far greater variety of ornaments than can be obtained with a punch, though perhaps not quite so regular and accurate-; and here it may be observed, that if a variety of accurate paper patterns be cut, they will serve as guides for cutting others out of plain or coloured pasteboard, which will be found useful for many purposes. This cutting out of ‘hand…

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The Art of Construction: Projects and Principles for Beginning Engineers & Architects (Ziggurat Book)

Students discover the basic principles necessary to build all types of structures used in everyday life including bridges, skyscrapers, and other architectural gems. Line art illustrations help to explain projects that demonstrate how these principles keep structures solid. Perfect for kids who wonder why, and love to figure things out! All projects are easily done with materials found around-the-house.

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The Art Of Working In Pasteboard: Upon Scientific Principles: To Which Is Added, An Appendix, Containing Directions For Constructing Architectural … Or The Art Of Modelling In Paper…

This is a reproduction of a book published before 1923. This book may have occasional imperfections
such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact,
or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections,
have elected to bring it back into print as part of our continuing commitment to the preservation of printed works
worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

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The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification:

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The Art Of Working In Pasteboard: Upon Scientific Principles: To Which Is Added, An Appendix, Containing Directions For Constructing Architectural Models: Intended As A Sequel To Papyro-plastics, Or The Art Of Modelling In Paper

2

Bernhard Heinrich Blasche

Daniel Boileau

Daniel Boileau

Boosey and Sons, 1827

Crafts & Hobbies; General; Architectural models; Crafts & Hobbies / General; Crafts & Hobbies / Papercrafts; Geometrical drawing; Handicraft; Models and modelmaking; Paper work; Paperboard

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